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after much online mockery, viz. Tamil Kannada Telugu and Malayalam In his introduction to the book Raghavendra probes the question why Hindi cinema is considered ‘national cinema and makes some very insightful observations about the ‘regionality’ of regional cinemas According to him Hindi cinema which has placed itself in the position of non-local cinema along with the ‘nation’ imagined by it was always asymmetric; “if it was once dominated by the ‘cow belt’ it is now increasingly centred on the metropolitan city usually Mumbai and sometimes Delhi but rarely Kolkata or Chennai” He goes on to observes that compared to Bollywood regional cinemas are richer and more complex They are rich in their ‘signifiers’ and so more challenging for the interpreter “for they address local concerns as well as national ones and take overlapping identities — the regional one based on language as well as the national one — into consideration in addressing their chosen constituencies” The focus of the book is on popular cinema and each essay follows its own method and trajectory to chart the history of cinema along with their thematic evolution as well as growth as an industry N Kalyan Raman begins his delightful essay on Tamil cinema that explores the relationship between cinema and society by cautioning the reader that it “deals with the narrative content of only those Tamil films that are seen to have an apparent connection with societal trends and events’ and forthrightly admits that ít is not informed by theory critical or otherwise” He journeys through the history of Tamil cinema that constantly wove dreams of belonging and the identity of Tamil people He examines the plethora of early mythologicals later replaced by social reformist themes in the next decades that in turn synergised with the Self Respect Movement of Periyar to create ‘Dravidian’ cinema He follows the thematic shifts in cinema and its constant engagement with social and political movements the rise of MGR the return to village themes on the one hand and urban angst on the other followed by the return of caste and Dalit themes in contemporary cinema MK Raghavendra’s essay on Kannada cinema surveys the shifts in address within Kannada cinema which “began by addressing only the citizens of princely Mysore” whose moral discourse revolved around the conflict between dharma and artha to the centrality achieved by Bengaluru city Sketching the political events leading to and following the linguistic reorganisation of Karnataka state the author follows the shifts in national and regional political formations in their confrontations and negotiations over the idea/l of the nation and modernity as reflected and refracted in film narratives He ends his essay by saying “if Kannada cinema must reinvent itself to survive it must necessarily address the experiences of those outside its traditional territory which has itself gradually shrunk to the environs of Bengaluru dealing mainly with those who are forced to interact with the city” Sathya Prakash’s essay on the Telugu film industry offers a concise chronological account of it by surveying major events and films in each decade It traces in detail the patterns of film production thematic shifts and the emergence of major directors and stars from the beginning to the present The author’s focus is on weaving a historical narrative that is supported by details data and dates offering a panoramic view of Telugu cinema through decades Meena Pillai’s theoretically informed essay on Malayalam cinema looks at the role of cinema in the making of Keralam and Malayali modernity The attempt is to trace the history of Malayalam cinema “beginning with the post-sacred genre of social in Malayalam cinema and tracing back to its melodramatic mythological and revivalist trends” in order to explore “the contextual and textual elements of the popular in the cinema through forging connections with the historical social and cultural specificities of their reception” Given the lack of analytical writing on films filmmakers and film industry other than Bollywood this book is a significant contribution to the understanding of south Indian cinemas One hopes this collection will trigger new dialogues and debates about the ideas about and the configurations of the regional and the national The writer is a film critic anddocumentary filmmaker For all the latest Lifestyle News download Indian Express App More Top NewsWritten by Express News Service | Chandigarh | Published: August 23 2009 11:59 pm Related News Botulinum toxin has been in use for the management of neuromuscular diseases and cosmetic procedures Once injected in the bladderits effect will last for months Botox isnt just for enhancing facial looks or reducing the fine aging lines to appear younger Urologists at city hospital PGIMER have emphasised that an added use of Botulinum toxin may help treat an overactive bladder (OAB) OAB refers to the tendency to frequently pass urine According to doctorsthis problem is prevalent in both men and women of all age groups and it tremendously affects the day-to-day working of a person Botulinum toxin has been in use for the management of neuromuscular diseases and cosmetic procedures for enhancing facial muscles It is now known to help alleviate the suffering of patients with OAB Once injected in the bladderthe effect lasts for months The actual operative technique of injection of Botulinum toxin A into the bladder in two caseswho were refractory to medical treatmentwere telecasted (from the OT) to participants? Randor Guy and MSS Pandian who wrote on Tamil cinema,deputy chief of mission and consul-general. only 239 people have got land in the state. download Indian Express App ? “BJP will not win a single seat. a mainstay of treatment for prostate cancer since the 1940s currently used in over a half million men in the United States. compared to the control group,but I would love to go out with Rafael Nadal.

The road from Kanshiram Memorial to Ramabai Ambekdar Maidan is being cleaned and the road dividers are being painted. which can predict impending collisions based on time to collision rather than proximity, for example by reducing the amount of yard waste put in landfills, says David Headley during cross examination in Mumbai court. I don’t want to disclose whether she objected or not or what she said.

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